Clothing in Fiction: A Critical Element of Characterization
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Chapter 1: The Role of Attire in Writing
When it comes to writing, my wardrobe is far from glamorous. I have two main outfits that I rely on, both of which are best kept out of public view.
The first ensemble features a vibrant, floral dress that has seen better days, at least 20 years old and faded from numerous washes. I often pair it with a pink plaid pajama top that has lost a button, complemented by whimsical socks adorned with images of Bigfoot.
My second choice is much more subdued: a flowing navy-blue dress that reaches my ankles, typically worn with a worn-out moss-green cardigan and holey ski socks. The contrast between the lively floral outfit and the drab navy one keeps my writing fresh.
I avoid anything with zippers or wires, as I find those can distract me from crafting a compelling narrative.
As for headwear, hats serve to keep my unruly hair in check. A fedora gives off a chic vibe on rare occasions, but my preferred choice, even in summer, is a beanie — or tuque, as Canadians call it. If it fits too snugly, I wear it tilted above my ears, giving it a comical point, as if it’s embarrassed to be associated with me.
Ultimately, my appearance is irrelevant when I’m at my computer. I may narrate the story, but I’m not its protagonist.
Section 1.1: The Significance of Character Wardrobe
The attire of characters, however, plays a crucial role in storytelling. Clothing can evoke texture and sensation, enhancing the reader's experience. For instance, in Leo Tolstoy's Anna Karenina, the velvet around Kitty's neck is described in such a way that readers can almost taste its richness:
"...The black velvet of her locket nestled with special softness round her neck. That velvet was delicious..."
While comfort is my priority, in literature, clothing serves a deeper purpose. Writers sometimes shy away from detailing characters’ attire for fear of boring the reader, but meaningful fashion descriptions can evoke strong emotions.
Fashion can indicate time periods in a historical novel, set the mood in a dystopian tale, or reveal social standing in historical fiction. In romance, the act of undressing often conveys more significance than the clothing itself.
Subsection 1.1.1: Crafting Effective Fashion Descriptions
Here are five objectives to consider when integrating clothing into character development:
Generate Humor
Humor can arise from an outfit's absurdity or from a character's disregard for social norms. Douglas Adams’ The Hitchhiker's Guide to the Galaxy humorously emphasizes the importance of a towel, while John Kennedy Toole’s A Confederacy of Dunces introduces us to Ignatius J. Reilly through his comical attire.
Show Non-Conformity
Pippi Longstocking, from Astrid Lindgren's classic, exemplifies non-conformity through her unique style. Readers immediately grasp her quirky nature through her unconventional clothing choices.
Focus on Identity
Richard Wagamese's Indian Horse depicts a loss of identity through clothing forced upon a character in a residential school, illustrating how attire can symbolize cultural disconnection.
Reveal Character Traits
In Jane Eyre by Charlotte Brontë, Jane's refusal to wear certain dresses chosen by Mr. Rochester showcases her autonomy and values.
Create Disguise
Clothing can also serve as a disguise, altering a character's identity for various motives, as seen in the tale of Sir Gawain and the Green Knight.
Want a fun writing exercise? Describe your current outfit while exaggerating its qualities to make it humorous, uncomfortable, or eerie. Remember to convey the texture of the fabric. Enrich your fiction with the power of fashion!
Chapter 2: Insights from Fashion in Literature
To dive deeper into the relationship between clothing and personal identity, check out the following video, where Jennifer Millspaugh discusses the profound impact of fashion on our lives.
Elaine Medline is the author of That Silent Summer and Sprinkle Drifter, both available on Amazon. Follow The Hub Publication for more insightful tips and stories.